Kathmandu – Outside, Your Comfort Zone By Dylan Pharazyn

Director's Works

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New Zealand agency Motion Sickness commissioned Dylan Phararzyn to direct this global brand campaign for Kathmandu — a series of 30-second films. The brief was wide open: create simple films of people being themselves in nature. What emerged is a quietly powerful reflection on connection — on how stepping outside isn’t about adventure or adrenaline, but about presence. Dylan’s approach was to strip everything back, to find the calm at the heart of the wild. We talked with the director about how the filming evolved.

 

What drew me in was the line: Outside, Your Comfort Zone. A quiet provocation — not about conquering the wild, but stepping just beyond the familiar into something more alive.

Nature isn’t something we conquer — it’s something we belong to. This campaign is about that quiet shift into something deeper and more grounded.

The more I sat with it and tested different camera approaches, the more it became clear — this needed to feel intimate and close. Like we were inside someone’s comfort zone. Almost interior, with the natural environment revealed slowly — as if nature is home.

 

I love how these stories show people simply as they are in nature — calm, curious, open. There’s a kind of freedom in that. And a deep connection too: we are nature. When you let go of the day-to-day and settle into the moment, there’s a shift — subtle, but meaningful.

I was chasing a feeling — a deep sense of calm and freedom in each moment. A kind of mind-place logic to how the images and sounds flow – kind of like we’re sharing a spell.

We filmed with a small crew, using non-actors — a group of friends local to the Coromandel Peninsula in New Zealand, where we shot. Everyone helped carry gear to the remote spots. It was collaborative and unhurried — a rare thing in advertising — and it meant we could really feel the place, and build each sequence around what felt right.

We weren’t pushing for drama. We were chasing something deeper — something I hope people can feel.

We filmed on the Alexa 35 and then did a kine film-out… processed the finished films to Kodak 35mm stock then scanned the film back.