When creating something creative, it’s so easy to only see the perceived (or real) flaws when the piece is finished - usually due to time and budget constraints. Now, Amos LeBlanc has re-edited The Gates for Young Empires with outstanding extra footage. We thought it was great the first time but this version is truly stunning. We profile the newly-signed Sweet Shop director about his creative process

If we weren't strapped down in an aircraft seat we'd dance our socks off to Melanie C’s latest track, Anymore. Familia director David East has created a video which captures the vibe...

We talk with Colonel Blimp director Abbie Stephens about her film, Solo, featuring a grief stricken violinist who seeks solace in his frenzied performance

Iconoclast London new signing director and photographer Yoni Lappin quit an academic path to make films. Good choice

Spike Jonze revisits and revamps his Weapons of Choice vibe for Kenzo's new perfume starring the stunning Margaret Qualley with an original track by Sam Spiegel & Ape Drums feat. Assassin Mutant Brain

The sensuous, starkers, sexy sounds of summer

Indy8 director Jake Dypka ties up with poet and old school friend Hollie McNish to create a film on the battle between tit titillation and sustenance

A line up of the Good, the Very Good, the Compassionate, the Brave, the Bewildered and lots of clever cats all directed by brilliant filmmakers

Our pick of the kick arse, punch, fling, run, pull, splash films

The darker edges of relationships are explored by Rattling Stick director Ed Morris in his haunting video for Massive Attack's track featuring Ghostpoet, Come Near Me

1.4 has just learnt that one of our favourite directors Thomas Rhazi died two weeks ago from his injuries sustained in a motorcycle accident nearly three months ago.  It’s unbelievably sad and our hearts go out to his family and life-long friends and colleagues at Division, Paris.

Picasso's Péter Vácz's follow-up video for James is an achingly beautiful tale of leaving a relationship and the new director's impressive first time directing a team. View also Péter's just-released Making of Dear John

Scroll through a dozen winning Up and Coming and Unsigned directors from the Radar Music Video Awards

Benoit Berthe talks with Valere Amirault about experimenting with different methods of directing animation

Set amongst the commercial and industrial architecture of Long Beach, Ryan Staake’s time-slice film echoes the haunting beat vocals of Vince Staple for Clams Casino's track All Nite

Colonel Blimp young director Fred Rowson has cracked it with his latest short film about mysterious going-ons in suburbia. We also take a short scroll through his music video and fashion work

Moxie-signed director MJ Delaney has come up with a thumpingly good film that is becoming a massive hit online. Set to the Spice Girls’ original Wannabe track, the video for for the Global Goals campaign brings international kick-ass performances with serious messages on education, violence and equality

Agile Films Saul & Josh take a new look at sex on the run in their latest short film

Maisie Cousins’ photographs are stunning portraits of flesh smothered with flowers and insects; bodies smeared with syrup and make-up. Now through B-Reel Films the young artist has brought her visceral take on nature to her first music video for new recording artist Casi

Teo Guillem – one half of the digital artist duo Dvein – has created something completely and superbly different by cutting old footage of artist Giorgio Spiller's films to the beat of the artist’s son Batongo

Justin Anderson brings his distinctive elegant, quirky and totally fabulous vision to a Guy de Maupassant's short story The Idyll.

Colonel Blimp director Pedro Martin-Calero's latest short film draws its inspiration from the Kazakhstan village that mysteriously went to sleep

We don’t have that many Olympic volleyball players turn film makers on 1.4 so it's very exciting to show off new director Savanah Leaf's first short film, F Word

And another opens through Zak Tatham's portals of digital wonder. Here we talk with the Canadian filmmaker and digital effects artist about creating the mesmerising video

It must be really good fun being Thalia de Jong. Her films are experimental and clever with a penchant for all things furry and quirky. We particularly loved her film Golden Boy which has picked up a flurry of awards this year at the fashion film festivals including Berlin.

As part of the judging panel for the Berlin Fashion Film Festival, 1 .4 whooped with joy when we first saw this film, Snowbird, for Kenzo. It was longer than most entries, but seemed shorter. It had a fresh intriguing narrative that held up to the end frame. And it looked good, with a mix of intimate close-ups and aerial sweeps tracing the lead, Abbey Lee, as she delivers her cake to her fellow occupants of Slab City. The sound and music for Snowbird also contributed to giving the film its distinctive original feel.

We thought we were so over East End council estate music videos with a slash of violence and a few dance tricks - but this video shot by Caviar new director Thomas Ralph for Leeds band Vessels is completely BRILLIANT. Next level.

Here's the Berlin Fashion Film Festival Winners list - all with links - and our showcase pick of some of the Gold winners. Stand-by for more interviews throughout the week

We've been in fashion film heaven at the Berlin Fashion Film Festival. Over the next few days we will bring you our selection from the fabulous fun event, where we caught up with Caviar new director Cyprien Clément-Delmas whose video of Paris' edgier side was a hot favourite

Parisian collective Parachutes picks up quirky brief for Mercedes-Benz Fashion Week at our very own 1.4 Awards

Martin Garde Abildgaard explores man's birth and inescapable destiny in a poetically beautiful video for Danish DJ Thomas Bertelsen